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On March 2 our CIG met at the Uniontown High School to help out with a program taking place.  The Invisible Children program came to present their video Kony 2012. IC has been presenting an assembly at the Uniontown District for the last 5 years. Their non-profit organization raises awareness for the plight of children in Uganda affected by the 20 year war. These children are constantly threatened with kidnap, torture, sexual slavery and being forced into fighting. Each year as the students see the new informational video and hear from the young Ugandans who share their stories in person, they respond with compassion and generosity. This compassion seems to manifest itself through art. This year the young people have planned a 5K run followed by an art and music festival.  Many times students respond n a very emotional way through their art making. These pieces are then part of the festival and may be experienced and purchased by the attendees. I have seen first hand how art making answers the deep seated question “Ok, I see this terrible need on the other side of the world, but what can I do about it.

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I wanted to share with my fellow AE these 2 videos made by a group of students in Art 1. These are the responses of this particular group to the inquiry question; How can we re-tell the story of our school?

I would appreciate your feedback, especially any help with editing out the sound noise on the final rap video.

 

Preview of Sunshine video:

http://vimeo.com/33917005

 

THE Sunshine Video:

http://vimeo.com/33917437

 

 

 

I read the article “The Creative  Music Strategy” and overall I thought this article was great and insightful.  I think it is definitely applicable and practical.  The only downfall I saw with this process was that it appears to me that this might be difficult to do all of your lessons around…maybe that is not the expectation.   Maybe it is just ONE way of doing a lesson, and in this case I think it’s perfect.  But to do every lesson from this perspective, I think that could get kind of monotonous.  One of my favorite parts of the article was a list of characteristics of a creative teacher.  I will list them now to make it easier to discuss in this post.  I will put the list in bold and my comments and thoughts in regular font.

1. Respect for children as individuals – I definitely feel I encompass this first one and I feel it is definitely the foundation for any educator.  If you respect your children for who they are personally, you are going to teach them creatively to meet their needs.

2. Ability to relate/establish rapport with children – This is directly linked to the first one.  Children have a very keen sense of knowing when an adult has respect and care for them and when they are just another person taking up a seat in a classroom.  I feel I have a very good relationship and rapport with my students in which they know that I care about them and their learning.

3. Flexibility in adapting to needs of children – this is essential for making learning and content relevant to children.  In my 5 years of teaching I have been at 5 different schools and all 3 levels of eduction (primary, jr. high, and high school).  And I have seen how my lessons have adapted and my approach has changed in each setting and for each individual class,

4. Enthusiam for learning and living – I feel this is such an important component, that isn’t so much what happens in the class room, but what is your life like outside of the classroom?  A teacher who has a life a part from school that is thriving and not simply surviving will promote the same vibe in their own classroom.  I know this is part of the reason why there is enjoyment and motivation in my classes, because my take on life is to discover and experience as much as I can!

5. Leads children to experience the wonder of music through personal discovery – This is necessary, because music, and all the arts for that matter, connect with personal experience and without it, there isn’t a real response.  There must be an organic, personal aspect to music, a way students can discover things themselves, in order for there to be a real experience.

6. Helps children to discover the social relevance of music – I think this is really important, especially with how quickly musical influence changes and evolves.  Students need to see how music relates to history, art, politics, and life in general as well as how it relates to them personally.

7. Recognizes the earmarks of creativity in children – I think it is important to different types of activities so you can see how certain students blossom in some areas and other students do in different ones.

8. Arouses curiosity about music that won’t let go until it is satisfied

9. Possesses confidence and security resulting from adequate preparation and experience

10. Plans wisely for each stage of development

11. Make the study of music exciting

12. Aware of the importance of using community resources

13. Demonstrates insight to appraise children’s work objectively and to provide encouragement for additional experiences

14. Knowledge of materials and instructional procedures

15. Presents appropriate personality and dress

Please check out my classroom blog, it contains photos and a short video.

http://uhsvisualarts.blogspot.com

On November 17, 2011 the Art 1 students of UHS held an exhibition of their current works. Teachers, parents and administrators were invited and light refreshments served.

I was delighted with the enthusiasm of these art students as they selected and displayed their work. This was an excellent formative assessment for me as we are 1/2 way through the course. I can see much more clearly how far we have come and in what direction I am interested in us going. What a great experience. Feeling grateful for the position I am currently placed.

I found quote #1 the most relevant to myself at this point. I
actually wrote out a couple other responses but in reviewing what I wrote I
found that my response had more in common with the first quote. What “problems” do you encounter with your
students that could stimulate a shared inquiry as an active quest?

I have an inquiry question that is
growing out of a problem. The problem is one that I see; though I don’t think
that my students would share my view. I believe that my students are
comfortable being complacent.

This year, I asked my students, “What
would happen if I put the sectional learning of parts into your hands? What
else might happen if you were to take over all the managerial parts of putting
together a show/concert?” They said things like, “just tell what you want me to
do or say.” and “Well that’s your job.” My students were, are comfortable
showing up doing their thing and being able to say it was all out of their
control. They like the comfort of down time during rehearsals. You know the time I am talking about, the
unaccountable time when another section is working parts.
So when I sent
each section to computers to work/learn their parts with their group they
grumbled and groaned. BUT… within the first couple minutes they were working
out part issues and learning together, solving problems. I only have 2
computers but I have 2 pianos and another student in each class that plays
piano and plays parts for their section. I now have a 3rd computer
and that means that I can rotate my students through the computers and have
each group perform what they have worked on for me. I can record them for them
to hear or for the class to hear. When we know a section we come together and
sing it as a group. This is allowing us to work on dynamics while they are
learning parts so when we put a section together it feels like it means
something. They have a taste of success doing this but still they are
comfortable with the “old way” and they are used to being not in control and if
something doesn’t go well… “It wasn’t their fault.”

As I have taken my inquiry into my
classroom over the last couple of years, I have asked my students to be
participators in the teaching as well as the learning. They resisted at first
but as they became comfortable with being uncomfortable (the old ways being
used less, and technology being used more) they grow excited about the learning
that is actually happening for themselves and their classmates. However, at the
beginning of the year; I mention turning more control on their learning to them
and they get frustrated, because it is dressed as work. They are afraid of
work, of maybe failing and being accountable. They have forgotten how fun the
journey was/can be.

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